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Overview of Baumeister's Designs for the Stage
This overview lists all Willi Baumeister's drafts for theater, ballet, and opera. You will find a more extensive discussion of Baumeister's notion of a modern relation of stage design and production on a separate page.
- Stuttgart 1919
- Georg Kaiser, Gas (drama)
- Stuttgart 1920
- Ernst Toller, Die Wandlung (The Change) (drama)
- Stuttgart 1920
- Herbert Kranz, Freiheit (Freedom) (drama)
- Stuttgart 1921
- William Shakespeare, Macbeth (drama)
- Stuttgart [year?]
- Johann Wolfgang Goethe, Faust (Part I) (drama)
- Stuttgart 1926
- Georg Friedrich Händel, Ariodante (opera)
- Stuttgart 1927
- Hans Gustav Elsas, Das Klagelied (The Lament) (drama)
- Frankfurt a.M. 1931
- Darius Milhaud, Theseus (short opera)
- Frankfurt a.M. before 1933
- Carlo Goldoni, Harlekin, Diener zweier Herren (Servant of Two Masters) (drama)
- Stuttgart ca. 1947
- Calderón de la Barca, Dame Kobold, (Lady Kobold) (drama), Theater der Jugend, Rotebühlstraße
- Stuttgart 1947
- Manuel de Falla, Liebeszauber (Love Spell) (ballet)
- Stuttgart 1948
- Paul J. Müller, Einmal Hölle und zurück (The Road To Hell and Back) (ballet)
- Wandertheater 1949
- Ullrich Klein-Ellersdorf, Eine Franziskuslegende (A Franciscan Legend) (drama), stage design by students of Willi Baumeister
- Essen 1949
- Egon Vietta, Monte Cassino (mystery play)
- Stuttgart 1950
- Otto-Erich Schilling, In scribo satanis (In the Devil's Writings) (ballet)
- Darmstadt 1952
- Jean Giraudoux, Judith (drama)
- Wuppertal 1952
- Egon Vietta, Die drei Masken (The Three Masks) (drama)
- Darmstadt 1953
- Max Komerell, Kasperlespiele für grosse Leute (Punch and Judy Show for Grown Ups) (drama)
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